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This love poem pays homage to the biblical Song of Songs.


A Hart Leaping

Leaving Eros’s arms was torture.

Leaving yours, the whole world

and all the manna of Eden.

I sing of you as a hart in the hills,

as a poet upon our bed of spices.

You give me wine to drink

and figs to eat, from the tree

we planted together, in summer.

When I see you standing tall,

ramrod-straight as the Tower of David,

I know I am protected, and loved.

I am a beloved daughter of Eve.

Together we planted our garden.

Its sprouts can now be seen.

But you went leaping into the hills tomorrow.

You have not seen the fullness of our tree.

I sing songs for you, to draw you back.

I eat sparingly, to spare the food for you.

I drink the wine we brewed together,

hoping it will recall you to me.

But your going was fated.

I was always meant to seek you

on the streets of the City,

in the buds of our garden,

in the hills you went leaping to.

You were always meant to leave me.

You are a hart in the hills.

Can I not call you back with milk and honey,

and all the manna of Eden?

To think you will be forever gone to me

sets my heart to aching,

and makes me blend my tears

with the wine we once drank together.


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2 responses to “A Hart Leaping”

  1. tacosilly4a5718ca38 Avatar
    tacosilly4a5718ca38

    Wonderful poem. Though the only caveat I have is whether there is any lover – in real life – who can be wooed by: “Can I not call you back with milk and honey, and all the manna of Eden?” If so, I want to marry her…

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    1. johannarodda Avatar
      johannarodda

      Thank you for the compliment – and you have hit upon a fundamental aspect of my writing. In many of my stories, including novels (not yet published), the love interest is an idealized man. In one, he is a Christ-like figure, in another, based on Gilgamesh, and, in still another, is a version of the sponsus from the Song of Songs. Even in my short stories and, as you can see, poems, the love interest is an idealized version of the truth.

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