Scribo Scribere

A Literary Blog



  • On the deck railing sat the dove:

    always and eternal symbol, love.

    And it imparted, as I started,

    to look: a coo full-hearted.

    But the dove was quiet, it was still.

    It was as if my loved one’s will

    had sent it to me, as if to say,

    “I will love you now, always.”

    And so, I let the little dove in,

    creature in which is no trace of sin,

    and allowed it to comfort me as it would:

    as such creatures always should.

    The dove, it stayed upon that perch.

    It did not sway, or in wind lurch.

    It just sat, as if to relay

    how that my love would with me stay.

    Columbus meus, I like to think

    in this world, so full, so pink.

    A little dove upon my heart,

    salving all the wounds that smart.

    So take me, my dove, away!

    Let me stand and pray

    for my for long departed dear,

    now and through my every year.




  • When one day I went searching for the Grail,

    the cup, the chalice, to wash away my every care

    in life, I felt like King Arthur, whose mighty knights

    ranged far and wide for the healing, the paramount,

    the life-in-all-being, ever-eternal vessel, to give

    and grant them all they could imagine.

    I could not help but wonder, as I went searching

    in the pages of Chrétien, as von Eschenbach led the way,

    or the “pure fool” of Wagner was privy to the secret

    which most every person wants to know: maybe it was

    something in me lacking that led me to now and steadily seek

    this thing, never knowing, ever always hoping.

    One day, when I went searching, it was only because

    I thought there should be more to life

    than just the living: that there should be striving

    for epic fantasies to paint the way into the future:

    not to save myself, but sure I’d use it

    for good, and not lose it to the forces

    that set their courses to rule, and dominate.

    But in this, there’s something, too, a little false:

    to say a cup or chalice or pail, yes, indeed,

    even the very Grail, has anything at all that could undo

    all that life makes us endure: and, most of all, wield

    its power, a mighty shield against the breath

    of our greatest foe, the enemy, death.

    So, stepping out to find the Grail, instead

    of knightly bearing, I exude love, instead

    of holy lances, I have hope: and, of course,

    with such strength to arm me, how could it

    be otherwise than to be my very salvation?


  • I entered the ballroom with single-minded purpose: I meant to have it out with her. Because of me, she would be an exile from her home and ostracized to a foreign land. To harbor such sentiments as she had is to commit treason toward all of one’s fellows. I was there not to reform how she thought, but to utterly destroy her notions, so grounded in the ideology that every thought she had and every move she made was a wonder and marvel of nature, that to me they seemed complete idiocy. I did not yet see her in the crowd of dresses, of which hers was certainly the loveliest (cursed be that it was a masquerade ball; everyone you wanted to talk to you couldn’t find, because they would not take off their masks), but I decided to try to find she who was the center of attention.

                I knew no one in the room: all her friends, as most in the city were. To them, she was charming; her friends and admirers brushed away her faults as if they had not been insulted by her.

                “But what had she done?” you ask. She was queen of a thousand faults, but, especially, she was the analog of Lucifer, rising high above the status quo. This had me ready to jump off the plank, if only, by means of the water, to find blissful separation from her. Maybe I should have given her the benefit of thinking her ill, but she had offended me too much for that. The argument for her sanity seemed to lie only with her own reasoning: with her so much above the rest, she must certainly know her own mind.

                I wandered through a sea of masks but could not find her. So good was she at hiding from those who did not think her the darling idyll of theirs minds, that in a crowd only her friends recognized her. I thought to ask where she was, but clandestine me could not do so. Still, I had to relay to her the anger to which she drove me, finding catharsis only in confrontation. I would reason with her, not for her benefit but for my own, because her soul could never be reformed. By turning her venom on me, she had chosen her company.

    I stirred through the crowd, a smile here, a drink there, some words you always say to people you meet. I looked for the crowd around her, people who did not realize she had offended them, too. I wanted to take her by the shoulders and scream, “Quit your childhood and wake up!” Did she not know that every word she wrote obliterated the boundary between what is decent and what is not? She should have had a sign reading, “Keep Away” on her mask.

                Did she simply believe that all that was, was a product of her mind’s intersection with some referential frame? Was she simply an inappropriately-tempered fool? Because who, being grown, does not know the basic rules of humanity?

                And then I saw her – of course the most beautiful woman in the room. I bypassed waltzing couples, moving right and left toward her.

                She was talking to a man. He was engrossed. I had expected her to be less steady, never content, always casting her eyes onto new quarries. But she was not; her eyes were constantly on her interlocutor. Still, I could not relent –she would certainly steal the heart of any man, then play with it before moving on to her next victim, leaving him crying and besotted on the streets. Oh, how I couldn’t stand her hedonism, based on some sickening perception of the world as founded for, by, and because of her alone!

                Her interlocutor left. She looked around, not at me at first, avoiding me. I did not pity her aloneness; we cannot buy friends. Finally she looked at me, then averted her eyes. I approached.

                “Hello,” she said. I nodded. She blinked, looked side to side with that self-assurance I had expected to find. She extended a hand.

                “I’m –  ” she said. When I did not take her hand, her smile faltered, as if I had told her exactly how I felt about her. She withdrew her hand; we stared at each other. I felt like the last sane person there, screaming to the crowd how unsubstantiated this woman’s empire over them was. But they flitted about, not knowing the insults launched at them – yet the woman and they were still friends, and –

                It suddenly struck me: where were my friends? Were they in the ballroom? Had I left them on the stair? Were they scattered through foreign countries? Did they think writing the most noble craft?

                And I felt something inside me that should not have been there: the subtle recognition of another’s sadness. I had only meant to inform her that I did not think all her methodologies were incorrect, that she had begun at a point sure to leave her with a Luciferian future, a sharp rise and a powerful drop. What was it? I could not go through with it; I wanted to say at once that, if only she just stopped trying, she would have the world at her feet, which would, also, have maybe assuaged her earthly pain.

                Could I say this, her mask distorting her nature, so striving, insulting the world as if she were the only one who mattered, her whole nature infuriating; and yet, her eyes – sad eyes, my own eyes, everyone’s – I did not tell her that what had made me so angry were her human eyes, on which mine now rested, she whom I had wanted to castigate for trying to rise too high, cheating on us who wanted to go the steady rather than the untenable route, but which now landed me fully in the inability, because of those eyes, to speak to her angrily of things I had perceived.



  • How pleasant, how perfect. Even funny.

    You’ve got to a café, paid your money, and sit,

    wondering how to play the rest of your day,

    with a tea or else a coffee, resting on your table.

    Perfume from a woman nearby,

    and the space is radiant with the sound

    of people happily conversing.

    And you can sit and stay a while.

    Lick your lips. Give a smile. Though not just

    at him you most want to meet. A table away.

    A book out in front, or a journal,

    seeming so wise. Bright eyes and wavy hair.

    So close. And yet so far from you.

    What a world of possibility we live in!

    You sit. You watch the crowd, writing. Writing.

    Or, you read a book, see to that task

    that’s been impending. A notebook before you.

    You write things you know, sometimes knew,

    in a life that was a long time ago.

    While you sit and while away the time

    at this quiet café.

    All of life is here. Here, and all around,

    while you sit and wonder, the afternoon

    rolling on and along, about questions deeply asked.

    Facts of life in life are tasked: the deepest, of course,

    of all to be, how to bridge the gap so casually

    between you and the person a table away.

    Else, you sit forever with a question always inside,

    ride one moment to the next alone.

    And what would the world be like, if ever

    we stopped to talk to the person at the next table,

    bridge the gap between souls, turn the quiet café

    into the meeting of minds, the place renewing the promise of life

    to live and love with others, with us in this world.



  • Hwaet!

    Listen!

    Said the scop far back in reach of time,

    as he spoke before a circle, around a fire,

    looked toward the beginning of all,

    telling tales of what was before:

    the creation of the world,

    the Ancient of Days, our first dwelling,

    Eden, how all that had come to naught;

    told the travails of desert wanderers,

    parting of seas, wonders of light;

    told the coming of a Teacher, thereafter exalted,

    to illumine for us what we do, that hurts others,

    or else that hurts ourselves: our eternal souls.

    To the scop, such early bard, this was the immaculate,

    pristine, ever fruitful story. It could only be told

    in the mead hall, around a heady fire.

    Scops live still, in our very age.

    The exchange of words, the human connection:

    in all that passes between us, a story is told.

    Rich and rare, the future; just as much,

    the story of the past. But, to the scop,

    the favorite story of all is that lived, made, crafted

    out of the most valuable resource of all: Life.

    Life’s story lives in every day.

    In tales we tell, we are the heroes, each of us

    the center of our own, sweet, good time.

    However brief the candle, however bounded

    the brightness of the torch, for a time, at least,

    still it lasts.

    The scop knew, each time he plied his craft,

    that he imbued his stories with bits of himself

    just as soon as they were spoken, that those

    who sat and listened were weaving their own webs,

    finding their place in the world in tales they told.



  • Late at night, when shapes come shifting

    and I wonder at ancient pasts embedded now

    in outward trappings, the cause of Art,

    my body lies blanketed, my head on a pillow,

    medieval tune runs through the room,

    Angelus ad virginem, and there stands, carved

    in wood, upon a high pedestal,

    my own, great, gray goddesshead.

    The old wood cracks, its grain

    a blush upon her cheek.

    Aquiline, her nose, straight and fine.

    Her hair bound up in gently coifed curls

    stands high on her head:

    in form and substance, some Athenian goddess.

    What past is in that wisdom-face,

    in the life she must have lived before

    she became an ornament on a shelf?

    Did she oversee a church?

    Was she mistress in a ballroom?

    Did she command a man’s heart?

    I learn the truth as I longer stare,

    as if all her secrets are in her fire-eyes.

    Once, she stood serene, grainy-skinned,

    soft her eyes pointed far out

    over the wide, row-on-row,

    from-blight-of-winter-to-brightest-spring

    assemblage of resting places for the dead.

    Queen she was, alma mater, kind mother,

    over the land of those who ever sleep,

    wide cemetery on a silent hill, keeping watch.

    And yet, vulnerable is she, too,

    and I just ever so mortal.

    I sit at late of night.

    My gaze so ever trained on the sight

    of the peaceful, calm, and wise

    eyes, the very portals of wisdom

    of her, my gray goddesshead.

    And I watch her in wonder, wondering

    if she so watches out for me.



  • Light for a Lost Love

    Because laying a light

    is the greatest form of kindness,

    I will lay a little light for you tonight.

    I’ve wondered long about the proper way

    to let you know, in your eternal absence,

    that I think of you still, and always will.

    The candle rests upon the window sill.

    I can see it as I sit in my favorite chair,

    in the living room; a tree stands by,

    with lights upon its every branch:

    because it is that time of year

    in which light tells us,

    more than at other moments,

    that we are beloved by someone,

    even if we do not know it,

    if they are not there –

    to fill our weary hours

    with thoughts of love,

    and to fill our longing hearts

    with food for the soul.

    The light burns still as I am in bed,

    with warm covers pulled over my body,

    pillows soft and plush; how can I say

    how much these little comforts

    mean to me now: and a light

    always in the window.

    Still, the light burns full on,

    even when the sun

    is large and radiant outside.

    And I wonder what the point of it is:

    to fill the day, then lay yourself

    for sleep at night,

    and do it all again tomorrow.

    When you were here, things were clearer;

    music was more throbbing,

    colors were more vivid,

    more contoured was the difference

    between right and wrong.

    We’d stay up late into the night,

    till moonshine blurred with the wishes

    we broadcasted to heaven.

    But, now, I set the light: it’s all for you,

    and burns brilliant in the crystal cutout

    of the window we used to sit beside

    when we were younger versions of ourselves,

    and would watch outside it the progress of life

    go by, and cast our wishes to heaven, where

    an eternal fire lay ready to receive them.


  • This love poem pays homage to the biblical Song of Songs.


    A Hart Leaping

    Leaving Eros’s arms was torture.

    Leaving yours, the whole world

    and all the manna of Eden.

    I sing of you as a hart in the hills,

    as a poet upon our bed of spices.

    You give me wine to drink

    and figs to eat, from the tree

    we planted together, in summer.

    When I see you standing tall,

    ramrod-straight as the Tower of David,

    I know I am protected, and loved.

    I am a beloved daughter of Eve.

    Together we planted our garden.

    Its sprouts can now be seen.

    But you went leaping into the hills tomorrow.

    You have not seen the fullness of our tree.

    I sing songs for you, to draw you back.

    I eat sparingly, to spare the food for you.

    I drink the wine we brewed together,

    hoping it will recall you to me.

    But your going was fated.

    I was always meant to seek you

    on the streets of the City,

    in the buds of our garden,

    in the hills you went leaping to.

    You were always meant to leave me.

    You are a hart in the hills.

    Can I not call you back with milk and honey,

    and all the manna of Eden?

    To think you will be forever gone to me

    sets my heart to aching,

    and makes me blend my tears

    with the wine we once drank together.

  • This poem is devoted to all those who have lost a dear loved one.


    On Grief

    In my heart is sadness supreme,

    yet Nature shows me other face.

    On grass I look, and a stream

    lightly fulfilling mortal race.

    I write some words so as to show

    I am still all here below

    while he is up above.

    In heaven is my love.

    And I look to find in the world

    some way to continue on.

    Maybe it is God’s standard unfurled,

    but I dream in verse and song.

    I will always hold inside my heart

    the joy his being did impart,

    and always will cherish still

    the wisdom he has given – and will.

    For I truly do believe,

    through sadness clinging to my heart,

    that others never really leave,

    but just to other realms depart.

    And so, I take a walk through trees,

    the freshness of grass, the hum of bees

    and do believe in my mortal mind

    what heaven really is like in kind.

    Yes, forever I will love him great,

    knowing that he had to leave

    but always Nature will show me how

    and proper way for him to grieve.



  • Lesser Leaf

    I make my thought of this, my own volition –

    whereby I know, wherefore, I mean,

    not without a heart to seem,

    not too far or near away –

    that is what I thought to create

    in this, my mind most animate,

    and creating, verily,

    made my ‘verse’s merrily

    enacted course divorce itself not from itself,

    but sustaining a better gaining

    of that blessed simulacrum, the similarity

    of that – this – the – singularity

    that is to me:

    yes, is even – in me, through me,

    joys me, every day it can,

    so that my variety of superimpositions

    upon this, my inquisitions,

    might show to what the end I seek

    (if end I possess the more)

    will turn – but yet I have none,

    no, no other, than it to find,

    my self, my soul, my stay, my self –

    resting lightly on the stair,

    slipping trippingly with easy lightness

    of brightness supreme, too canny, coy,

    too lightly woven, too far pleasing

    to be conceivable,

    though perceivable to some, I mean,

    and so deceivable in their indecision.

    But yet back to my elision, and to write

    of how, ‘til now, I’ve met nowhere

    a better verse or a better pair

    than that one that I’d find nowhere

    but in the unanimity of consanguinity,

    in, in brief, the lesser leaf

    of one who speaks to me in tongues,

    leading me up the ladder rungs,

    and to me solace brings

    in how birds – how they wing

    through air most idoneus –

    not to always say “I am sorry”

    and yet always to say it –

    to elide it with ourselves for whatever ill –

    still, ever, to think “Why? Why?”

    and into the night to cry for stillness,

    to smile at peace and pray for illness

    while always furthering gentle somethings,

    gentle someones, for the fear

    that we’ll not otherwise know

    how close it is, to come to all, to everything

    in this, our life, never to know,

    never to know, never to know

    that the brief intaglio upon a locked container

    of the ventaglio that is its maintainer

    is more beautiful far when seen

    by no others than the ones for whom it is intended,

    yet with always the hand ready to be extended

    to, yes, pick up the bottle,

    beautiful, truly, in its own way –

    yes, and even, and even to say,

    and even to think, believe it so,

    even without the strength, but faith to know

    and apt in verse – in ‘verse – in poesy,

    pure joy, pure free –

    that, that it could ever always be just so

    as to –

    be:

    this the beauty in which I stray.